The Buachaille yarn and the Seven Skeins Club has been almost too much fun thus far. The yarn is so wonderful to work with and the colors are so beautifully made for each other. The multicolor idea I had for the cowl has infected my view of the next pattern release, Pawkies, the fingerless mitts.
At first I was dead set on the stranded version, fondly imagining how warm the double layers of this wool would be. But then my eye landed on the striped version, and I counted seven stripes on each mitt. Seven stripes, seven skeins! How could I not continue the theme? I had at least a smidgen of each of the seven colors. It was totally possible!
The pattern prescribes a rolled-edge cast on, and gives some resources for learning how to do it. I tried making a small swatchy trial, and got basically nowhere with it except a little balder from pulling my hair out. But casting a wider YouTube net, I found this one, which has you make a temporary waste piece half as many stitches wide as your eventual ribbing, do the business, and then pick your "real" knitting off the waste.
It makes as fine a tubular edge as any other method, with no dangling "udder" needle (thanks for that image, Cat Bordhi!) or shoogling stitches back and forth and reaching around here and there.
And here we are, tubular edge, seven-color pawkies all done:
Did you notice the color order is reversed on the pair, but still looks balanced by the Highland Coo in the center? Total accident. And the smidgen of Haar was not quite a big enough smidgen so I had to fake the second gray stripe with another yarn, but I don't think it's very obvious, do you?
I took a picture of both cowl and mitts to see how they'd go together, contrasting dots and dashes in the same color suite.
But the real stunner is how both pieces completely coordinate with the colors of my purse:
Amazing, and another total accident!
Showing posts with label color. Show all posts
Showing posts with label color. Show all posts
Tuesday, November 3, 2015
Tuesday, October 27, 2015
Buachaille Cowl
This week's Seven Skeins pattern releases were much more the sort of things I'd like to knit. Kokkeluri looks like they would be really interesting to knit and great to wear--a firm yet soft fabric that would make wonderful warm mittens. Trouble is, I rarely wear mittens, as most of my venturing outdoors in winter involves driving, for which gloves with grippy palms are better suited. Reluctantly, I will have to pass on these until I find an important use (or user) for mittens.
Cochal, though, is something I certainly would wear. I find scarves and cowls really essential to keeping warm, and the soft touch of Buachaille is just right for something that will snuggle the neck and face. But which of the colors to choose for it? They're all so lovely and all of them go together with all the others so well! They're beautiful together just as they are:
See what I mean? It's almost a shame to break up the bouquet! But I finally decided to use two of the natural shades because they are just slightly softer than the dyed ones. Squall and Haar it is, then, saving the white Ptarmigan (!!) as a contrast for whatever I make with the dyed shades. An added plus is that these neutral shades will go well with any coat or jacket.
And then I noticed in one of the pattern photos a bright Highland Coo "cell" in the grey and green version. I loved that little accent and read the pattern eagerly to find out how it was worked in. Turns out it's not just a single cell, but a row of cells only one of which shows in the photo. Hmm. so much for trying to figure out how to achieve that little spot in the overall circular knitting.
Then lightening struck. Well, OK, a minor inspiration hit me. I could have ALL the colors! I could make this cowl a celebration of all the Buchaille colors at minimal yarn expense if I used Squall for the main color (the framework), Haar for the contrast color (the cells), and duplicate stitch a little of each of the other colors in random spots. Eureka!
On I cast and away I went. It's a fast pattern and the yarn feels lovely moving through the hands:
Here's the finished item, with its little colored cells looking like jewels in settings! And take a look at how well the yarn usage was calculated. I made it exactly to pattern and the little coils are all that was left over from the main colors. Very impressive.
Having said that, when worn the cowl feels a little too tall for its diameter. If I made it again, I think I would knock off about 3 rows of cells. And being less scrunched, the "jewels" would show off better!
And now, back to our previously scheduled projects. I've just amassed this pile of Handmaiden Great Big Sea with the intention of making a shawl. What kind of shawl does it want to be, I wonder?
Cochal, though, is something I certainly would wear. I find scarves and cowls really essential to keeping warm, and the soft touch of Buachaille is just right for something that will snuggle the neck and face. But which of the colors to choose for it? They're all so lovely and all of them go together with all the others so well! They're beautiful together just as they are:
See what I mean? It's almost a shame to break up the bouquet! But I finally decided to use two of the natural shades because they are just slightly softer than the dyed ones. Squall and Haar it is, then, saving the white Ptarmigan (!!) as a contrast for whatever I make with the dyed shades. An added plus is that these neutral shades will go well with any coat or jacket.
And then I noticed in one of the pattern photos a bright Highland Coo "cell" in the grey and green version. I loved that little accent and read the pattern eagerly to find out how it was worked in. Turns out it's not just a single cell, but a row of cells only one of which shows in the photo. Hmm. so much for trying to figure out how to achieve that little spot in the overall circular knitting.
Then lightening struck. Well, OK, a minor inspiration hit me. I could have ALL the colors! I could make this cowl a celebration of all the Buchaille colors at minimal yarn expense if I used Squall for the main color (the framework), Haar for the contrast color (the cells), and duplicate stitch a little of each of the other colors in random spots. Eureka!
On I cast and away I went. It's a fast pattern and the yarn feels lovely moving through the hands:
Here's the finished item, with its little colored cells looking like jewels in settings! And take a look at how well the yarn usage was calculated. I made it exactly to pattern and the little coils are all that was left over from the main colors. Very impressive.
Having said that, when worn the cowl feels a little too tall for its diameter. If I made it again, I think I would knock off about 3 rows of cells. And being less scrunched, the "jewels" would show off better!
And now, back to our previously scheduled projects. I've just amassed this pile of Handmaiden Great Big Sea with the intention of making a shawl. What kind of shawl does it want to be, I wonder?
Labels:
Buachaille,
Cochal,
color,
cowl,
Great Big Sea,
Kate Davies,
Seven Skeins Club,
yarn
Wednesday, May 1, 2013
The Knit Goes On
My hat-a-thon for the Mountain Huts hat sale is over, and it's on to bigger things. You still can go to the silent auction if you're reading this on or before May 10, 2013. Loussac Library in Anchorage, 6-7 pm is the hat auction before the big meeting and slide show.
But planning and making the hats was so much fun, I'm already plotting what I could do for next year. A fish hat? A mountain hat? Breast hat? Another, even crazier mohawk? The possibilities are very exciting!
Meanwhile, the knit goes on. Sixareen Cape is slowly growing. It's fair isle; it's fine gauge; it's going to take a while.
So I started another project, a Kaffe Fassett-designed striped sweater. Plain stockinette no-brainer stitching, portable with only 2 balls to carry around at a time, peasy, right?
I loved the colors the minute that photo slammed into my eyes. And of course it would--Mr. F has a unique way with color, though usually his designs are crazy complicated with a zillion intarsia bobbins. But this is just stripes of alternating varigated yarns (color varigations also designed by Fassett, too, naturally). The whole thing was sold as a kit, which made it a much better deal than buying pattern and yarn separately. What's not to like?
The pattern is what not to like. I had already decided on a different neck than the cowl from the get-go. It looks fetching on the model, but she's probably 6'3", and I'll bet she's a lot neater than most people when she eats soup. Fortunately, I have been tricked by patterns before and learned from the experience(s). So I read the whole thing through, contemplating each instruction carefully. Good thing. Right off the bat there was the overall stripe prescription. The picture is a 4x4 stripe, that is, 4 red, 4 dark. The pattern says 4 red, 2 dark. Whaat?? I scrutinized the picture with a magnifying glass. Definitely 4x4. Scrutinized the bag of kit yarn. Exactly half and half. So if I unquestioningly followed the pattern, I would have a serious yarn deficit about halfway through.
At this point, the pattern is a mere suggestion. I've already got what I wanted from the kit--beautiful stripe effect in a stunning color combination. So--4" bottom ribbed welt? Too wide. 2 1/2" is much better. Using both yarns together to knit the selvedge stitch? A recipe for a fat column of stitches that won't make a good seam--forget it. 29" total length? I don't think so. (See 6'3" model remark above). And I've got plenty of time to contemplate the actual neckline. For sure it won't be a cowl!
But planning and making the hats was so much fun, I'm already plotting what I could do for next year. A fish hat? A mountain hat? Breast hat? Another, even crazier mohawk? The possibilities are very exciting!
Meanwhile, the knit goes on. Sixareen Cape is slowly growing. It's fair isle; it's fine gauge; it's going to take a while.
So I started another project, a Kaffe Fassett-designed striped sweater. Plain stockinette no-brainer stitching, portable with only 2 balls to carry around at a time, peasy, right?
I loved the colors the minute that photo slammed into my eyes. And of course it would--Mr. F has a unique way with color, though usually his designs are crazy complicated with a zillion intarsia bobbins. But this is just stripes of alternating varigated yarns (color varigations also designed by Fassett, too, naturally). The whole thing was sold as a kit, which made it a much better deal than buying pattern and yarn separately. What's not to like?
The pattern is what not to like. I had already decided on a different neck than the cowl from the get-go. It looks fetching on the model, but she's probably 6'3", and I'll bet she's a lot neater than most people when she eats soup. Fortunately, I have been tricked by patterns before and learned from the experience(s). So I read the whole thing through, contemplating each instruction carefully. Good thing. Right off the bat there was the overall stripe prescription. The picture is a 4x4 stripe, that is, 4 red, 4 dark. The pattern says 4 red, 2 dark. Whaat?? I scrutinized the picture with a magnifying glass. Definitely 4x4. Scrutinized the bag of kit yarn. Exactly half and half. So if I unquestioningly followed the pattern, I would have a serious yarn deficit about halfway through.
At this point, the pattern is a mere suggestion. I've already got what I wanted from the kit--beautiful stripe effect in a stunning color combination. So--4" bottom ribbed welt? Too wide. 2 1/2" is much better. Using both yarns together to knit the selvedge stitch? A recipe for a fat column of stitches that won't make a good seam--forget it. 29" total length? I don't think so. (See 6'3" model remark above). And I've got plenty of time to contemplate the actual neckline. For sure it won't be a cowl!
Labels:
color,
error,
fair isle,
hat,
Kaffe Fassett,
pattern,
sixareen cape,
stripe
Monday, September 24, 2012
Easy Bein' Cheesy
Sometimes it seems like there's more than one reason it's called fireweed.
And there's more than one way for a rose plant to be rosy.
It's autumn all over the place, and bootie knitting continues apace. Remember the Cheat-toes booties? Well, we now have a new flavor of cheese. Once I got these guys knitted up, I couldn't help noticing the similarity to blue cheese. See what I mean?
(Actual blue cheese added for comparison.) It's Fortissima sock yarn in #104 blau tweed colorway.
And here's another pair in a fun color. A cheese-free color.
(Actual comics and Pollock added for comparison.) The yarn was supposed to be for a Knit Purl sock club creation in a colorway inspired by the Jackson Pollock painting Image Number 8. But I wasn't especially excited by the pattern intended for it, and totally tickled to death by the way it looks in booties. And the more I looked at the yarn, the less I thought of Jackson Pollock and the more I thought of the way papier mache looks when made out of the comics section of the Sunday paper. What do you think?
It's autumn all over the place, and bootie knitting continues apace. Remember the Cheat-toes booties? Well, we now have a new flavor of cheese. Once I got these guys knitted up, I couldn't help noticing the similarity to blue cheese. See what I mean?
(Actual blue cheese added for comparison.) It's Fortissima sock yarn in #104 blau tweed colorway.
And here's another pair in a fun color. A cheese-free color.
(Actual comics and Pollock added for comparison.) The yarn was supposed to be for a Knit Purl sock club creation in a colorway inspired by the Jackson Pollock painting Image Number 8. But I wasn't especially excited by the pattern intended for it, and totally tickled to death by the way it looks in booties. And the more I looked at the yarn, the less I thought of Jackson Pollock and the more I thought of the way papier mache looks when made out of the comics section of the Sunday paper. What do you think?
Labels:
autumn,
booties,
cheese,
color,
fall,
Jackson Pollock,
papier mache
Subscribe to:
Posts (Atom)